Update: Kindly read the full review on Women’s Web as I have an exclusivity contract with them so cannot share the full review here.
There were at least three points in the film when I almost started weeping, there were points where I was anxious about what was going to happen and finally when I came out of the theatre I had a heart full of emotions but the mind was calm, as calm as the river Ganga depicted in the last scene of the film. The feeling was of surrender to the circle of ‘life and death’ of ‘loss and gain’. No more words, no more tears no more grief just sail away with the river and see where it takes you, to the confluence or to the other side of life.
Masaan is not just a love story between an ‘upper caste’ girl and ‘lower caste’ boy as a lot of previous reviews and film posters might have made it appear. It was one of the plots in the narrative but I didn’t feel it was the central theme. To me, Masaan is the story of bodies – desiring bodies, dead bodies, burning bodies, children’s bodies as a tool of economic exploitation, gendered bodies facing medical negligence, apathy and exploitation and so on.
Read full review here: http://www.womensweb.in/2015/08/masaan-film-review/